Durklang mit großer Sexte und None; offen und stabil ohne Dominantspannung.
Intervalle vom Grundton, die diesen Akkord und seine Töne bilden.
Tonleitern, die diese Akkordtöne enthalten und meist gut darüber funktionieren.
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The augmented add ♯9 sonority combines two intense colors: the unstable lift of ♯5 and the upper-edge friction of ♯9. It can feel dominant-adjacent, chromatic, or deliberately ambiguous depending on context. In notation, you may encounter forms like C+add♯9 or Caug(add♯9).
Build an augmented triad first: 1-3-♯5. Then add ♯9 above the root, yielding a pitch set such as C-E-G♯-D♯. Because these tones are close in color intensity, spacing strategy is crucial to keep the voicing expressive rather than brittle.
Use this chord for heightened chromatic color where a conventional dominant does not feel vivid enough. It works well in fusion, modern jazz reharmonization, cinematic cue writing, and advanced pop bridges where tension should feel vivid and slightly unstable.
Keep a clear core shape and place ♯9 in a register where it sings rather than clashes. Avoid stacking altered tones in tight middle-register clusters. Resolve either ♯5 or ♯9 by semitone to make the harmonic motion feel deliberate and controlled.
Compared with ordinary augmented chords, add ♯9 sounds sharper and more vocal in the top color. Compared with altered dominants, it can feel less function-bound and more color-forward. Listen for brightness plus instability, not just dissonance.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | Dis | |||
| 4 | Fisis | |||
| 7 | Ais | |||
| 9 | His | |||
| 14 | Eis |