Minor ninth with ♯5 (1–♭3–♯5–♭7–9); altered fifth under m9 extensions.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The minor9 sharp5 chord combines minor quality with an augmented fifth and upper extension: 1-♭3-♯5-♭7-9. It keeps a recognizable minor core while adding bright instability through ♯5, giving a more modern and "tilted" character than standard m9.
A practical approach is m7(♯5) + 9. In context, spellings can vary, but maintaining clear guide tones (♭3 and ♭7) plus a readable ninth is essential for tonal identity.
The chord sounds dark yet luminous: minor depth from ♭3/♭7, openness from 9, and restless edge from ♯5. Compared with m9, it feels less settled and more direction-seeking.
Useful in fusion, modern jazz reharmonization, ambient/cinematic pads, and static minor sections where you want color tension without switching to a dominant function.
Thin the voicing and avoid forcing every tone simultaneously. Keep register separation between bass and ♯5, and place 9 high enough to preserve extension clarity.
Minor9(♯5) often operates as a tension color field rather than strict classical function. Small voice-leading moves from ♯5 or 9 can create strong release pathways without changing root.
Hear an m9 framework with a widened/raised fifth. Alternate m9 and m9(♯5) to train the altered brightness quickly.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | A♭ | |||
| 3 | C♭ | |||
| 8 | F♭ | |||
| 10 | G♭ | |||
| 14 | B♭ |