The sus4 ♭9 chord replaces the third with a perfect fourth above the root and adds a lowered ninth. Without a major or minor third in the voicing, it reads as dominant-function color with a dark, Spanish-Phrygian edge: the ♭9 rubs against the root while the fourth keeps the harmony open and unresolved until you move to a chord with a third.
Construction
Core tones: 1-4-♭9 (often with ♭7 present in extended voicings). In C7sus(♭9), think C-F-D♭ as a skeletal color set, with bass and context supplying dominant function.
Usage
Classic on V resolving to minor or major, in Latin and flamenco-influenced progressions, and in modern jazz as a tense dominant substitute before resolution.
Examples
- Spanish cadences and Phrygian dominant contexts
- Modal jazz tunes that emphasize ♭2 color over a dominant pedal
- Film scoring for exotic or ominous dominant pads
Play
Keep the sus fourth clear, separate root and ♭9 when possible, and resolve the sus by dropping the fourth to the third of the target chord.
Ear-training cues
Hear no third, a perfect fourth above the root, and a between root and ♭9.
