B Major ninth sharp fifth suspended fourth

The major ninth ♯5 sus4 chord is a highly specialized color: it keeps the suspended fourth openness, adds the wide ninth, and replaces the perfect fifth with an augmented fifth. The result is luminous, modern, and harmonically “expensive”—best used as a deliberate spotlight rather than a default voicing. It appears most often in fusion, modern jazz, and cinematic pop where harmony is meant to sound advanced and slightly uncanny.

Construction

Conceptual layers: 1-4-♯5-7-9 (exact voicing varies widely by instrument). Clarity comes from register: keep sus4 and major seventh readable, and place the ninth high enough to sound like extension rather than cluster filler.

Usage

Use on pedal points, short pivot chords, and arranged hits where the composer wants maximum color without a plain maj9 sound.

Examples

• Fusion horn pads with shifting upper structures
• Modern jazz reharmonizations as a brief pivot
• Film cues: “wide sus” chords with augmented interior tension

Play

Spread tones, omit doublings, and let the bass define the root strongly. If the chord fights the melody, simplify inner voices before removing the characteristic ♯5 or sus4 identity.

Ear-training cues

Hear sus4 plus ninth width with a widened fifth—a rare three-part fingerprint.