Diminished seventh with major seventh (combined set); ultra-dense chromatic cluster, notation-dependent.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The label diminished seventh with major seventh (sometimes written as a combined symbol like o7M7) suggests a sonority that mixes the symmetric diminished-seventh frame with a major seventh interval above the bass. In practice, charts using this label may intend different spellings depending on the editor: sometimes a polychord effect, sometimes a particular upper-structure voicing, sometimes an enharmonic reinterpretation of a smaller pitch set. Treat it as a specialist symbol and always trust the recording or the part’s voice leading.
Interpretation varies; commonly discussed as overlapping diminished and major-seventh colors in advanced jazz or film harmony.
Climax sonorities, experimental textures, and deliberate “impossible” harmonic moments.
Thin the voicing; assign each pitch a role in voice leading; avoid uncontrolled doubling.
Highly chromatic, symmetric diminished color colliding with a bright major-seventh impression at the top.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | D♭ | |||
| 3 | F♭ | |||
| 6 | A𝄫 | |||
| 9 | B♭ | |||
| 11 | C |