Dominant 7 with ♯9 and ♭13; dark altered color with strong expressive bite.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The 7♯9♭13 dominant combines gritty upper tension with dark lowered-thirteenth color. It keeps dominant force but sounds heavier and more dramatic than 7♯9 alone. This is a high-expression chord often used right before a strong harmonic landing.
Practical formula: 1-3-5-♭7-♯9-♭13. In C: C-E-G-B♭-D♯-A♭. 3 and ♭7 provide function; ♯9 and ♭13 create altered identity.
Useful in modern jazz, blues-jazz hybrids, and cinematic suspense harmony. It works especially well before minor or modal destinations.
Keep guide tones stable and spread ♯9/♭13 so the contrast remains clear. Resolve at least one altered tone by semitone for direction.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | D | |||
| 4 | F♯ | |||
| 7 | A | |||
| 10 | C | |||
| 15 | E♯ | |||
| 20 | B♭ |