Diminished triad with major seventh (1–♭3–♭5–7); the “Hitchcock” major–minor collision, unstable and pivot-friendly.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The diminished major seventh chord stacks a diminished triad with a major seventh above the root (1-♭3-♭5-7). It is famous for its uncanny stability–instability mix: the diminished triad wants to move, but the major seventh adds a strange luminous ceiling. It appears in classical and film harmony as a color chord and in jazz as an occasional reharmonization device.
Formula: 1-♭3-♭5-7. In CoM7, spell C-E♭-G♭-B (enharmonic spellings vary).
Suspense cues, pivot chords, and brief chromatic clouds over a clear bass.
Voice the major seventh clearly; avoid doubling that creates unclear tendency tones.
Diminished triad interior with a major seventh above the root—eerie, bright-dark.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | E♭ | |||
| 3 | G♭ | |||
| 6 | B𝄫 | |||
| 11 | D |