Minor triad with ♯5 (1–♭3–♯5); augmented second between third and fifth, unstable minor color.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The minor ♯5 chord keeps a minor third but raises the fifth to a augmented fifth (1-♭3-♯5). Between ♭3 and ♯5 you hear an augmented second (enharmonically like a minor third in 12-TET), which makes the sonority restless and exotic compared with a plain minor triad. It appears in modal and jazz contexts, often as a passing color or as part of larger minor-family voicings.
Formula: 1-♭3-♯5. In Cm(♯5), spell C-E♭-G♯ (or A♭ for readability).
Short color hits, altered minor lines in jazz and fusion, and dramatic shifts when moving between diatonic minor and whole-tone or augmented-leaning harmony.
Keep the minor third clear, avoid muddy doubling, and resolve ♯5 by step when you want a classical sense of voice leading.
Minor third at the bottom with a widened fifth that feels brighter and more unstable than a perfect fifth.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | E | |||
| 3 | G | |||
| 8 | B♯ |