Dominant 7 with ♭5; tritone-forward dominant color with sharper instability.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The 7♭5 dominant emphasizes tritone character and introduces a leaner, unstable fifth. It sounds tighter and more angular than a plain dominant seventh, making it effective for tension-forward harmony.
Formula: 1-3-♭5-♭7 (optionally with 9/13 context). In C: C-E-G♭-B♭. 3 and ♭7 keep dominant function while ♭5 sharpens dissonance.
Common in jazz turnarounds, altered dominant preparation, and chromatic passing dominants.
Voice 3 and ♭7 clearly, keep ♭5 present but balanced, and resolve inward or outward by semitone for a convincing cadence.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | F♯ | |||
| 4 | A♯ | |||
| 6 | C | |||
| 10 | E |