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    1. Home
    2. Scale Library
    3. B
    4. Bebop locrian

    B Bebop locrian

    Eight-note scale derived from Locrian, used to place chord tones on strong beats in eighth-note lines. Adds a chromatic passing tone (natural 5) between ♭5 and ♭6.


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    Which intervals and notes are in the B Bebop locrian scale?

    Intervals from the tonic that build this scale step by step.

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    Practice the bebop locrian scale

    Open the app and start your daily workout!

    Learn music theory with sonid

    Available on Android and iOS

    The Bebop Locrian scale (also known as the Half-Diminished Bebop scale) is an eight-note scale designed to navigate half-diminished chords in jazz. By adding a chromatic passing tone to the standard Locrian mode, it ensures that the essential chord tones of a m7♭5 chord align perfectly with the downbeats of a swing rhythm.

    Construction and formula

    The Bebop Locrian scale is built by adding a natural 5th as a chromatic passing tone to the standard Locrian mode. This fills the gap between the ♭5 and the ♭6.

    In C, the notes are: C–D♭–E♭–F–G♭–G–A♭–B♭.

    Its interval formula is: 1–♭2–♭3–4–♭5–5–♭6–♭7.

    This eight-note configuration allows the primary chord tones (1, ♭3, ♭5, ♭7) to fall consistently on strong beats when playing continuous eighth-note lines.

    Musical usage

    This scale is specifically used over minor 7♭5 chords, which typically function as the ii chord in a minor ii–V–i progression. Its primary role is to provide melodic "logic" to the Locrian sound, which can often feel unstable or directionless in a linear context.

    The natural 5 acts as a rhythmic "spacer." It is not intended to function as a harmonic resting point, but rather as a connector that preserves the forward momentum of a jazz line while maintaining the dark, diminished quality of the mode.

    Examples

    • Jazz improvisation over minor ii–V–i progressions (played over the m7♭5 chord).
    • Eighth-note runs in standards like "Autumn Leaves," "Stella by Starlight," or "Blue Bossa."
    • Linear patterns that require the ♭7 and ♭5 to land on downbeats for harmonic clarity.
    • Practice drills transitioning from the ii (Bebop Locrian) to the V (Bebop Dominant).

    In practice

    Practice a standard Locrian scale in eighth notes and notice how the chord tones eventually shift to the "and" of the beat. Then, insert the natural 5 between the ♭5 and ♭6 to see how the root, ♭3, and ♭5 instantly snap back onto the downbeats.

    In a performance context, use the natural 5 strictly as a passing tone. Do not pause on it, as the ♭5 must remain the defining harmonic color of the chord.

    IntervalsemitonesNote
    Perfect unison0B
    Minor second1C
    Minor third3D
    Perfect fourth5E
    Diminished fifth6F
    Perfect fifth7F♯
    Minor sixth8G
    Minor seventh10A
    NameAliasesDifficulty
    B Phrygian-Beginner
    B Locrian-Beginner
    B Minor pentatonicvietnamese 2Easy
    B Locrian pentatonicminor seven flat five pentatonicExpert
    B Minor bluesbluesExpert
    -Expert
    -Guru
    -Guru
    -Guru
    -Guru
    -Guru
    B In-sen
    B Iwato
    B Kumoijoshi
    B Malkos raga
    B Pelog
    B Vietnamese one
    NameAliasesDifficulty
    B Minorm, min, -Beginner
    B Minor seventhm7, min7, mi7, -7Beginner
    B Fifth5Beginner
    B Suspended fourthsus4, susBeginner
    B Diminisheddim, °, oEasy
    m7add11, m7add4Easy
    m7b5, ø, -7b5, h7, hEasy
    m#5, -#5, m+Intermediate
    madd4Intermediate
    4, quartalIntermediate
    7sus4, 7susExpert
    7#5sus4Expert
    11b9Expert
    m7#5Expert
    mb6b9Guru
    7sus4b9b13, 7b9b13sus4Guru
    b9sus, phryg, 7b9sus, 7b9sus4Guru
    B Minor seventh add eleventh
    B Minor seventh flat fifth
    B Minor sharp fifth
    B Minor add fourth
    B Fourth
    B Seventh suspension four
    B Dominant seventh sharp fifth suspended fourth
    B Dominant eleventh flat ninth
    B Minor seventh sharp fifth
    B Minor flat sixth flat ninth
    B Dominant seventh suspended fourth flat ninth flat thirteenth
    B suspended fourth flat ninth