Five-note scale featuring the 1, 2, ♭3, 5, and 6, used to create soulful, Dorian-style melodies over minor 6th and minor 9th chords in jazz and gospel.
Intervals from the tonic that build this scale step by step.
Diatonic chords on each degree of this scale.
Explore scales that share many of the same notes and compare how their tonal center changes the sound.
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The Flat Three Pentatonic scale is a unique five-note scale that bridges the gap between major and minor tonalities. By introducing the minor third (♭3) into an otherwise major-leaning structure, it creates a "blue" and soulful sound that is essential for jazz, gospel, and sophisticated blues improvisation.
The Flat Three Pentatonic scale is built by taking a Major Pentatonic scale (1-2-3-5-6) and lowering the 3rd degree. This creates a striking minor third interval from the root, followed by a leap to the stability of the 5th degree.
In C, the notes are: C–D–E♭–G–A.
Its interval formula is: 1–2–♭3–5–6.
This configuration provides a "Dorian" flavor, offering a minor quality while retaining the bright, open character of the 2nd and 6th degrees.
This scale is a powerful choice for soloing over minor 6th chords (m6) or minor 9th chords. In jazz, it is frequently used to imply a Dorian feel without the density of a seven-note scale. It also works exceptionally well in "soul-jazz" and gospel contexts to add a gritty, expressive edge to major-key melodies.
Because it contains both the ♭3 and the 6, it is perfect for navigating ii–V–I progressions, specifically over the ii chord to provide a clear, melodic Dorian identity that avoids the "avoid note" of a natural 4th.
To hear the flavor, play a C Major Pentatonic and change the E to an E♭. Notice how the mood immediately shifts from "happy" to "cool" or "jazzy." The scale feels more grounded and serious than the standard major version.
When improvising, use the ♭3 (E♭) as a primary tension note. It sounds best when resolved down to the 2 (D) or up to the 5 (G). Use the 6th (A) on strong beats to highlight the Dorian-like brightness that distinguishes this scale from the standard natural minor pentatonic.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | D♯ | |||
| 2 | E♯ | |||
| 3 | F♯ | |||
| 7 | A♯ | |||
| 9 | B♯ |