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    Created byMartijn van der Eijk
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    YoutubeMusic Theory Video SeriesA step-by-step guide to music theory fundamentals. These 60-second videos provide a clear, structured path to understanding how music works, optimized for a full-screen learning experience.YoutubeMusic Theory ShortsMaster music theory concepts in 60 seconds or less. Quick, vertical videos designed to give you essential theory knowledge in a fast-paced, mobile-friendly format.
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    1. Home
    2. Scale Library
    3. F sharp
    4. Flat three pentatonic

    F sharp Flat three pentatonic

    Five-note scale featuring the 1, 2, ♭3, 5, and 6, used to create soulful, Dorian-style melodies over minor 6th and minor 9th chords in jazz and gospel.

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    Guitar diagrams

    Which intervals and notes are in the F sharp Flat three pentatonic scale?

    Intervals from the tonic that build this scale step by step.

    Which chords can you play on the F sharp Flat three pentatonic scale?

    Diatonic chords on each degree of this scale.

    Related scales for F sharp Flat three pentatonic

    Explore scales that share many of the same notes and compare how their tonal center changes the sound.

    Practice the flat three pentatonic scale

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    Practice the flat three pentatonic scale

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    The Flat Three Pentatonic scale is a unique five-note scale that bridges the gap between major and minor tonalities. By introducing the minor third (♭3) into an otherwise major-leaning structure, it creates a "blue" and soulful sound that is essential for jazz, gospel, and sophisticated blues improvisation.

    Construction and formula

    The Flat Three Pentatonic scale is built by taking a Major Pentatonic scale (1-2-3-5-6) and lowering the 3rd degree. This creates a striking minor third interval from the root, followed by a leap to the stability of the 5th degree.

    In C, the notes are: C–D–E♭–G–A.

    Its interval formula is: 1–2–♭3–5–6.

    This configuration provides a "Dorian" flavor, offering a minor quality while retaining the bright, open character of the 2nd and 6th degrees.

    Musical usage

    This scale is a powerful choice for soloing over minor 6th chords (m6) or minor 9th chords. In jazz, it is frequently used to imply a Dorian feel without the density of a seven-note scale. It also works exceptionally well in "soul-jazz" and gospel contexts to add a gritty, expressive edge to major-key melodies.

    Because it contains both the ♭3 and the 6, it is perfect for navigating ii–V–I progressions, specifically over the ii chord to provide a clear, melodic Dorian identity that avoids the "avoid note" of a natural 4th.

    Examples

    • Soloing over a C Dorian vamp (Cm6 or Cm7).
    • Soulful gospel piano fills that emphasize the ♭3 to 2 resolution.
    • Jazz improvisation over the ii-chord in a major ii–V–I.
    • Modern R&B vocal melodies that blend major stability with minor "blue" notes.

    In practice

    To hear the flavor, play a C Major Pentatonic and change the E to an E♭. Notice how the mood immediately shifts from "happy" to "cool" or "jazzy." The scale feels more grounded and serious than the standard major version.

    When improvising, use the ♭3 (E♭) as a primary tension note. It sounds best when resolved down to the 2 (D) or up to the 5 (G). Use the 6th (A) on strong beats to highlight the Dorian-like brightness that distinguishes this scale from the standard natural minor pentatonic.

    IntervalsemitonesNote
    0F♯
    2G♯
    3A
    7C♯
    9D♯
    Perfect unison
    Major second
    Minor third
    Perfect fifth
    Major sixth
    F♯ 5
    F♯ m
    F♯ m6
    F♯ madd9
    F♯ sus2