Play music with confidence. Discover tips, technical guides, and best practices in our monthly newsletter just for musicians.
Master interval recognition with real music. This hub links every Sonid ear-training playlist post—handpicked songs for P1, m2, M2, m3, M3, P4, P5, m6, M6, m7, M7, and P8—plus a practical study path for relative pitch.
Give your relative pitch training a powerful upgrade! Learn how to effortlessly identify the rich, unresolved sound of the minor seventh interval with our expert guide and custom tracklist.
Today we start something new: Sonids Spotify Playlists! We start with the Perfect Unison interval.
We are back with our weekly playlist! This week, we are shining the spotlight on the major third interval with a handpicked selection of ten incredible songs to help you train your ears.
Ready to master relative pitch? Explore our ultimate ear training guide to the perfect fourth interval, featuring expert recognition tips and an essential playlist.
Unlock one of the most powerful sounds in music! Master the perfect fifth interval with our ultimate ear training guide, pro tips, and a handpicked playlist.
Add a splash of color to your relative pitch skills! Learn how to effortlessly identify the warm and distinctive major sixth interval with our expert guide and custom tracklist.
We've made a new Spotify Playlist for you! This time we take a look at the perfect octave and teach you how to identify it by ear.
We are back with our weekly playlist! This week, we are shining the spotlight on the minor second interval with a handpicked selection of ten incredible songs to help you train your ears.
Today we want to share our new Spotify Playlist with you! This time it's all about the minor third interval.
Part of our ultimate ear training songlist hub—all interval playlists in one place.
We've made a new playlist for you! This time we take a look at the major seventh and teach you how to identify it by ear.
This week we listen to some songs with the major seventh interval in mind. These are songs with the ascending, melodic major seventh interval in them. In this article we will briefly explain where you can hear the major seventh in the songs.
It is hard to find songs with a straight major seventh interval in them, because it sounds a bit dissonant. We did our best to present you with some new interval songs which you probably don’t know yet.
The song starts with: **Somewhere o**-ver the rainbow, way up high. Some-where forms an octave, but afterwards the melody descends to a major seventh. So if you combine the first (Some) and third (O) note you can hear a major seventh interval.
This follows the same pattern as Over the Rainbow. In the chorus Andrea Bocelli sings: "Paesi che non ho **mai, Ve-du**to e vissuto con te"
Mai to ve is a octave, after which the melody descends into a major seventh at du. So if you combine the first and third note you hear a major seventh interval.
You can hear the major seventh interval in the chorus when they sing **Take on** me for the first time.
The major seventh interval is hard to find in popular music. It is a bit easier if you get into jazz music. This jazz classic contains a major seventh interval: Yes, I may dream a million dreams, but how can they **come true**.
The first two notes of the verse form a major seventh: **I waited** ‘til I saw the sun.
The second time Chet sings **I-Alone** in the bridge, you hear a major seventh.
Ella Fitzgerald is known to sing beautiful, but complicated melodies. In this song you can hear the major seventh interval when she sings: Look at me, I'm as **help-less** as a kitten up a tree.
You can hear the major seventh interval in the guitar part through the whole song.
This song starts with a long introduction. Afterwards you’ll hear the major seventh: Come with me and you'll be in **a world** of pure imagination.