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    Created byMartijn van der Eijk
    Written byLida van der Eijk
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    YoutubeMusic Theory Video SeriesA step-by-step guide to music theory fundamentals. These 60-second videos provide a clear, structured path to understanding how music works, optimized for a full-screen learning experience.YoutubeMusic Theory ShortsMaster music theory concepts in 60 seconds or less. Quick, vertical videos designed to give you essential theory knowledge in a fast-paced, mobile-friendly format.
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    1. Home
    2. Chord Library
    3. A sharp
    4. Dominant seventh sharp ninth sharp eleventh flat thirteenth

    A sharp Dominant seventh sharp ninth sharp eleventh flat thirteenth

    Dominant 7 with ♯9, ♯11, and ♭13; dense altered tension with dramatic contrast.

    major7♯9♯11♭13

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    Which intervals and notes are in the A sharp Dominant seventh sharp ninth sharp eleventh flat thirteenth chord?

    Intervals from the root that spell this chord and its chord tones.

    Which scales can you play on the A sharp Dominant seventh sharp ninth sharp eleventh flat thirteenth chord?

    Scales that contain this chord’s notes and usually fit over it.

    Practice the dominant seventh sharp ninth sharp eleventh flat thirteenth chord

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    Learn music theory with sonid

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    Practice the dominant seventh sharp ninth sharp eleventh flat thirteenth chord

    Open the app and start your daily workout!

    Learn music theory with sonid

    Available on Android and iOS

    The 7♯9♯11♭13 dominant is a high-density altered sonority that combines upper brightness with dark side tension. It keeps dominant function but pushes harmonic color close to maximum intensity. This chord is ideal for climactic moments where emotional contrast is more important than smooth neutrality.

    Construction

    A practical model is 1-3-5-♭7-♯9-♯11-♭13. In C, this can include C-E-G-B♭-D♯-F♯-A♭. In real voicings, 3 and ♭7 anchor function while altered tensions are selected for clarity and impact.

    Usage

    Common in modern jazz, fusion, and cinematic writing before strong arrivals. Because tension density is high, it works best as a featured dominant event, not as a constant background color.

    Play

    Separate altered tones across registers and keep the middle range uncluttered. Resolve at least one altered note by semitone to make the harmonic destination feel intentional.

    Ear-training cues

    Hear ♯9/♯11 as bright lift and ♭13 as dark gravity. The chord's identity comes from this simultaneous pull in opposite color directions.

    A♯ 5
    A♯ 7
    A♯ +add♯9
    A♯ 7♯11
    A♯ 7♯11♭13
    A♯ 7♯5
    A♯ 7♯5♯9
    A♯ 7♯9
    A♯ 7♯9♯11
    A♯ 7♯9♭13
    A♯ 7♭13
    A♯ 7♭5
    A♯ 7♭6
    A♯ 7no5
    A♯ M
    A♯ M♭5
    A♯ aug
    A♯ dim
    A♯ m
    A♯ m♯5
    A♯ m7
    A♯ m7♯5
    A♯ m7♭5
    A♯ Chromatic
    A♯ Messiaen's mode 3
    IntervalsemitonesNote
    0A♯
    4C𝄪
    7E♯
    10G♯
    15B𝄪
    18D𝄪
    20F♯
    Perfect unison
    Major third
    Perfect fifth
    Minor seventh
    Augmented ninth
    Augmented undecime
    Minor thirteenth