Minor seventh with ♯5 (1–♭3–♯5–♭7); altered fifth over minor-seventh frame, whole-tone lean.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The minor seventh sharp fifth chord replaces the perfect fifth of m7 with an augmented fifth (1-♭3-♯5-♭7). It keeps the minor-seventh pull of ♭7 while the ♯5 adds a bright, unstable edge—somewhere between minor harmony and whole-tone shimmer. It is common in jazz and fusion as a color on static minor roots and in lines that borrow from melodic-minor and altered-scale thinking.
Formula: 1-♭3-♯5-♭7. In Cm7(♯5), a spelling might be C-E♭-G♯-B♭.
Altered minor vamps, passing chords between m7 and dominant-related sonorities, and cinematic pads that need minor darkness with raised-fifth sparkle.
Balance ♯5 against ♭7 to avoid excessive dissonance; omit the root in some ensembles to reduce mud.
Minor seventh sound with a widened fifth instead of a perfect fifth.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | A♯ | |||
| 3 | C♯ | |||
| 8 | F♯ | |||
| 10 | G♯ |