Major seventh with ♯5 (1–3–♯5–7); augmented-fifth color on a major-seventh frame.
Intervals from the root that spell this chord and its chord tones.
Parent scales and degrees where this chord appears as a diatonic sonority.
Scales that contain this chord’s notes and usually fit over it.
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The major seventh sharp fifth chord replaces the perfect fifth of maj7 with an augmented fifth (1-3-♯5-7). It blends major-seventh brightness with the restless shimmer of an augmented triad interior—useful in jazz, fusion, and film scoring when a major center needs a “lifted” fifth that wants to resolve by semitone.
Formula: 1-3-♯5-7. In Cmaj7(♯5), spell C-E-G♯-B (readability may use enharmonic equivalents).
Color on I or IV, passing chords between clearer major voicings, and altered lines derived from whole-tone or augmented scales.
Keep the major seventh clear; avoid doubling ♯5 in dense registers.
Major seventh sound with a widened fifth.
| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | B | |||
| 4 | D♯ | |||
| 8 | F𝄪 | |||
| 11 | A♯ |