Dominant harmony extended to the eleventh; broad, layered tension often voiced with omissions for clarity.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The dominant eleventh chord expands dominant harmony beyond the seventh and ninth, adding an eleventh color tone. It creates a broad, layered tension that sounds modern and spacious when voiced carefully.
The complete theoretical stack is 1-3-5-♭7-9-11. In C11: C-E-G-B♭-D-F. In practical arranging, players often omit tones like the fifth or even the ninth to avoid muddiness and highlight function.
Dominant eleventh sonorities are common in jazz, fusion, neo-soul, and cinematic writing where you want dominant direction plus harmonic depth.
Protect the guide tones (3 and ♭7), then add 9/11 as color tones in clear registers so the chord stays functional and readable.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | C♯ | |||
| 7 | G♯ | |||
| 10 | B | |||
| 14 | D♯ | |||
| 17 | F♯ |