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    YoutubeMusic Theory Video SeriesA step-by-step guide to music theory fundamentals. These 60-second videos provide a clear, structured path to understanding how music works, optimized for a full-screen learning experience.YoutubeMusic Theory ShortsMaster music theory concepts in 60 seconds or less. Quick, vertical videos designed to give you essential theory knowledge in a fast-paced, mobile-friendly format.
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    1. Home
    2. Scale Library
    3. C sharp
    4. Bebop

    C sharp Bebop

    Eight-note scale derived from Mixolydian, used to place chord tones on strong beats in eighth-note lines. Adds a chromatic passing tone between ♭7 and 7.


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    Which intervals and notes are in the C sharp Bebop scale?

    Intervals from the tonic that build this scale step by step.

    Which chords can you play on the C sharp Bebop scale?

    Diatonic chords on each degree of this scale.

    Related scales for C sharp Bebop

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    Practice the bebop scale

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    Learn music theory with sonid

    Available on Android and iOS

    Bebop Scale is an eight-note scale used in jazz improvisation to create strong rhythmic and harmonic alignment with chord tones on downbeats. It is not a single fixed scale, but a family of scales derived from major, dominant, or minor tonalities with the addition of a chromatic passing tone that allows for continuous eighth-note lines while keeping chord tones metrically stable.

    Construction and formula

    The most common form is the Dominant Bebop Scale, built from a Mixolydian framework with an added chromatic passing tone between the ♭7 and the 6.

    In C, this yields: C–D–E–F–G–A–B♭–B.

    Its interval formula is: 1–2–3–4–5–6–♭7–7.

    Other common variants include the Major Bebop Scale (with an added passing tone between 5 and 6) and the Minor Bebop Scale (with a chromatic passing tone added to align chord tones on strong beats).

    Musical usage

    The Bebop Scale is primarily used to create fluent eighth-note lines where chord tones naturally fall on strong beats (1, 2, 3, 4). The added chromatic note functions as a passing tone that preserves both scalar motion and harmonic clarity.

    In the Dominant Bebop context, the scale is especially effective over dominant seventh chords (V7), where the presence of both ♭7 and natural 7 adds chromatic tension without losing the dominant function.

    Melodically, emphasis is placed on chord tones (1, 3, 5, ♭7), while the chromatic passing tone is used as a linear connector rather than a resolution point.

    Examples

    • Jazz improvisation over V7 chords in ii–V–I progressions.
    • Swing lines where chord tones align with downbeats.
    • Linear bebop phrasing using continuous eighth notes.
    • Practice patterns alternating chord tones and passing tones.

    In practice

    Practice the Bebop Scale by first isolating the underlying Mixolydian or major scale, then adding the chromatic passing tone and ensuring that chord tones fall on strong beats when played in steady eighth notes.

    For improvisation, think in terms of chord tone targeting rather than scalar motion: the chromatic note should function as a connector, not a point of resolution.

    NameAliasesDifficulty
    C sharp MajorionianBeginner
    C sharp Major pentatonicpentatonicEasy
    C sharp MixolydiandominantEasy
    C sharp Ionian pentatonic-Easy
    C sharp Egyptian-Expert
    indianGuru
    -Guru
    -Guru
    NameAliasesDifficulty
    M, ^, , majBeginner
    5Beginner
    sus4, susBeginner
    maj7, Δ, ma7, M7, Maj7, ^7Easy
    7, domEasy
    C sharp Suspended secondsus2Easy
    C sharp Major sixth6, add6, add13, M6Easy
    C sharp Dominant ninth9Easy
    C sharp Suspended second and fourthsus24, sus4add9Easy
    C sharp Dominant ninth suspended fourth9sus4, 9susEasy
    C sharp Major ninthmaj9, Δ9, ^9Intermediate
    C sharp Major seventh suspended fourthM7sus4Intermediate
    C sharp Major ninth suspended fourthM9sus4Intermediate
    C sharp Dominant seventh no fifth7no5Intermediate
    C sharp Dominant eleventh11Intermediate
    C sharp Ninth no fifth9no5Intermediate
    C sharp Dominant thirteenth no fifth13no5Intermediate
    C sharp Sixth add ninth6add9, 6/9, 69, M69Intermediate
    C sharp Major thirteenthmaj13, Maj13, ^13Expert
    C sharp Dominant thirteenth13Expert
    C sharp Major add ninthMadd9, 2, add9, add2Expert
    C sharp Dominant thirteenth suspended fourth13sus4, 13susExpert
    C sharp Dominant seventh add sixth7add6, 67, 7add13Expert
    C sharp Seventh suspension four7sus4, 7susExpert
    C sharp Major seventh add thirteenthM7add13Expert
    C sharp Mixolydian pentatonic
    C sharp Piongio
    C sharp Ritusen
    C sharp Major
    C sharp Fifth
    C sharp Suspended fourth
    C sharp Major seventh
    C sharp Dominant seventh
    IntervalsemitonesNote
    Perfect unison0C♯
    Major second2D♯
    Major third4E♯
    Perfect fourth5F♯
    Perfect fifth7G♯
    Major sixth9A♯
    Minor seventh10B
    Major seventh11B♯