Dominant 7 with ♭13; classic dark dominant color with blues-jazz pull.
Intervals from the root that spell this chord and its chord tones.
Parent scales and degrees where this chord appears as a diatonic sonority.
Scales that contain this chord’s notes and usually fit over it.
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The 7♭13 dominant keeps the core dominant sound while adding a darker upper extension. Compared with plain 7, it feels more dramatic and often more directional toward minor or modal destinations.
Practical formula: 1-3-5-♭7-♭13. In C: C-E-G-B♭-A♭. The 3 and ♭7 define function; ♭13 supplies darker color.
Common in jazz, blues-influenced harmony, and minor-key cadences. It works well when you want tension without using many simultaneous alterations.
Keep guide tones stable, voice ♭13 clearly above the chord, and resolve by semitone when possible.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | C♯ | |||
| 4 | E♯ | |||
| 10 | B | |||
| 20 | A |
| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |