Dominant 7 with ♯9; gritty blues-inflected altered tension.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The 7♯9 dominant is one of the most iconic altered dominant sounds in blues and jazz language. It preserves strong V function, but adds a rough, vocal-like upper tension that feels urgent and expressive. This sonority is often heard as both aggressive and soulful.
Practical formula: 1-3-5-♭7-♯9. In C: C-E-G-B♭-D♯. Function remains clear through 3 and ♭7; ♯9 introduces the characteristic frictional edge.
Use 7♯9 in blues turnarounds, jazz dominant lines, rock/funk dominant riffs, and dramatic transition points. It is ideal when a plain dominant is too polite and a denser altered stack is unnecessary.
Keep guide tones stable, then voice ♯9 where it is clearly audible. Avoid overstacking inner tones so the chord keeps punch and definition.
Compared with 7, this sounds immediately rougher and more vocal. The ♯9 creates a "blue-note" tension against the dominant body.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | D♭ | |||
| 4 | F | |||
| 7 | A♭ | |||
| 10 | C♭ | |||
| 15 | E |