Dominant 7 with ♭13; classic dark dominant color with blues-jazz pull.
Intervals from the root that spell this chord and its chord tones.
Parent scales and degrees where this chord appears as a diatonic sonority.
Scales that contain this chord’s notes and usually fit over it.
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The 7♭13 dominant keeps the core dominant sound while adding a darker upper extension. Compared with plain 7, it feels more dramatic and often more directional toward minor or modal destinations.
Practical formula: 1-3-5-♭7-♭13. In C: C-E-G-B♭-A♭. The 3 and ♭7 define function; ♭13 supplies darker color.
Common in jazz, blues-influenced harmony, and minor-key cadences. It works well when you want tension without using many simultaneous alterations.
Keep guide tones stable, voice ♭13 clearly above the chord, and resolve by semitone when possible.
| Name | Aliases | Difficulty |
|---|---|---|
| D sharp Altered | super locrian, diminished whole tone, pomeroy | Easy |
| D sharp Chromatic | - | Easy |
| D sharp Leading whole tone | - | Easy |
| D sharp Whole tone | messiaen's mode #1 | Easy |
| D sharp Whole tone pentatonic | - | Easy |
| - | Easy | |
| arabian | Intermediate | |
| - | Intermediate | |
| spanish, phrygian major | Expert | |
| - | Guru | |
| - | Guru | |
| - | Guru | |
| melodic minor fifth mode, hindu | Guru | |
| - | Guru |
| Interval | semitones | Note | ||
|---|---|---|---|---|
| Perfect unison | 0 | D♯ | ||
| Major third | 4 | F𝄪 | ||
| Minor seventh | 10 | C♯ | ||
| Minor thirteenth | 20 | B |
| Name | Aliases | Difficulty |
|---|---|---|
| D sharp Augmented | aug, +, +5, ^#5 | Beginner |
| D sharp Dominant seventh no fifth | 7no5 | Intermediate |
| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V |
| D sharp Mixolydian flat sixth |
| VI | D sharp Locrian ♯2 |
| VII | D sharp Altered |