Dominant 7 with ♯9, ♯11, and ♭13; dense altered tension with dramatic contrast.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
Open the app and start your daily workout!
Available on Android and iOS
Open the app and start your daily workout!
Available on Android and iOS
The 7♯9♯11♭13 dominant is a high-density altered sonority that combines upper brightness with dark side tension. It keeps dominant function but pushes harmonic color close to maximum intensity. This chord is ideal for climactic moments where emotional contrast is more important than smooth neutrality.
A practical model is 1-3-5-♭7-♯9-♯11-♭13. In C, this can include C-E-G-B♭-D♯-F♯-A♭. In real voicings, 3 and ♭7 anchor function while altered tensions are selected for clarity and impact.
Common in modern jazz, fusion, and cinematic writing before strong arrivals. Because tension density is high, it works best as a featured dominant event, not as a constant background color.
Separate altered tones across registers and keep the middle range uncluttered. Resolve at least one altered note by semitone to make the harmonic destination feel intentional.
Hear ♯9/♯11 as bright lift and ♭13 as dark gravity. The chord's identity comes from this simultaneous pull in opposite color directions.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | D | |||
| 4 | F♯ | |||
| 7 | A | |||
| 10 | C | |||
| 15 | E♯ | |||
| 18 | G♯ | |||
| 20 | B♭ |