6/9 with ♯11; stable major color with bright Lydian extension.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The 6/9♯11 sonority is a bright major color chord that adds a Lydian lift to the familiar 6/9 stability. Unlike dominant chords, it often feels spacious and sustained rather than strongly directional. The ♯11 introduces brilliance without forcing harsh resolution.
A useful formula is 1-3-5-6-9-♯11. In C this can be voiced from C-E-G-A-D-F♯. In practical playing, not every tone is required at once; the key is balancing major warmth with raised-eleventh brightness.
Common in film, contemporary jazz, fusion, and ambient/pop harmony where you want modern openness. It works well as a tonic-like color, a pedal harmony, or a suspended backdrop under melodic motion.
Keep 3 and 6 clear, then place 9 and ♯11 in upper voices for shimmer. Avoid dense middle-register clusters so the chord retains transparency.
Compared with plain 6/9, this chord sounds "lifted" and slightly more aerial. Hear ♯11 as added light rather than as conflict.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | F | |||
| 4 | A | |||
| 7 | C | |||
| 9 | D | |||
| 14 | G | |||
| 18 | B |