Minor 11 with ♯5 (1–♭3–♯5–♭7–9–11); altered fifth under extended minor stack.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The minor11 augmented chord extends a minor-eleventh language while replacing the perfect fifth with an augmented fifth (♯5). A practical conceptual stack is 1-♭3-♯5-♭7-9-11. It combines the open, quartal flavor of 11 with the unstable brightness of ♯5, creating a color that is wide, modern, and intentionally restless.
You can think of it as m11 + raised fifth, or as m(♯5) with ♭7, 9, and 11 extensions. In real writing, not every tone appears at once: voicing choices depend on arrangement density and melodic priorities.
The chord blends minor gravity, upper-register openness, and augmented tension. Compared with ordinary m11, it sounds sharper and more "tilted," often suggesting movement even in static harmony.
Most effective as deliberate color on static minor roots, in altered minor grooves, fusion keyboard harmony, and cinematic textures that need broad space with unresolved friction.
Thin the voicing; you rarely need all tones simultaneously. Keep root identity clear, separate ♯5 from dense bass activity, and place 9/11 high enough to preserve extension clarity.
This chord often functions more as a tension field than a classical function marker. Small voice-leading moves from ♯5, 9, or 11 can create strong directional release without changing root.
Listen for minor 11 openness plus a widened fifth. Training m11 vs m11(♯5) contrast is the fastest way to internalize the sound.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | F | |||
| 3 | A♭ | |||
| 8 | C♯ | |||
| 10 | E♭ | |||
| 14 | G | |||
| 17 | B♭ |