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    1. Home
    2. Scale Library
    3. A
    4. Phrygian

    A Phrygian

    The Phrygian mode is the 3rd mode of the major scale with formula 1-♭2-♭3-4-5-♭6-♭7 and pattern H-W-W-W-H-W-W.


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    Which intervals and notes are in the A Phrygian scale?

    Intervals from the tonic that build this scale step by step.

    Which chords can you play on the A Phrygian scale?

    Diatonic chords on each degree of this scale.

    To which mode does A Phrygian belong?

    Related modes that use the same notes with a different tonal center.

    Related scales for A Phrygian

    Explore scales that share many of the same notes and compare how their tonal center changes the sound.

    Practice the phrygian scale

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    Practice the phrygian scale

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    Learn music theory with sonid

    Available on Android and iOS

    DegreeTriadSeventhExtendedScale
    I
    A
    M
    A
    maj7
    A
    maj13
    A
    maj9
    A Major
    II
    A
    m
    A
    m7
    A
    m9
    A
    m11
    A
    m13
    A
    m69
    A Dorian
    III
    A
    m
    A
    m7
    A
    m
    A Phrygian
    IV
    A
    M
    A
    maj7
    A
    M13♯11
    A
    maj9♯11
    A Lydian
    V
    A
    M
    VI
    VII

    The Phrygian mode is a minor-color scale known for its dark, tense, and dramatic character. Its most recognizable feature is the flat 2, which creates immediate friction against the tonic and gives the mode a strong identity in metal, flamenco-influenced writing, film scoring, and modal improvisation.

    Construction and formula

    Phrygian follows the interval formula 1-♭2-♭3-4-5-♭6-♭7, with the step pattern H-W-W-W-H-W-W. In E Phrygian, the notes are E-F-G-A-B-C-D. It shares pitch material with C major, but heard from E it functions as the 3rd mode of the major scale.

    Compared with natural minor (1-2-♭3-4-5-♭6-♭7), the crucial change is ♭2 instead of 2. That single degree shift is what gives Phrygian its unmistakably tense opening color.

    Musical usage

    Phrygian is often used over minor harmonic centers when you want a heavier, more unstable mood than Aeolian or Dorian. In riff-based genres, the half-step between 1 and ♭2 is frequently emphasized for impact; in cinematic writing, it can suggest suspense or ritual intensity.

    Melodically, placing ♭2 near 1 quickly reveals the mode. Harmonically, static modal vamps and pedal-point textures are common ways to keep the Phrygian color clear without forcing functional major/minor cadences.

    Examples

    • Metal and hard-rock riffs emphasizing the 1-♭2 motion.
    • Flamenco-influenced lines and cadential gestures.
    • Film and game cues that need dark modal tension.
    • Improvisation studies contrasting Phrygian with minor on one tonic.
    natural

    In practice

    Practice Phrygian against a drone or tonic pedal and repeatedly sing 1 to ♭2 so the color becomes immediate in your ear. Then build short motifs that resolve to chord tones while using ♭2 as a controlled tension note.

    For composition, Phrygian works well when you want minor identity plus extra bite. For improvisation, treat it as a modal language and avoid over-resolving into tonal clichés that weaken its character.

    A
    7
    A
    13
    A
    9
    A
    7no5
    A Mixolydian
    A
    m
    A
    m7
    A
    m9
    A
    m11
    A
    madd9
    A Minor
    A
    m7♭5
    A Locrian
    NameAliasesDifficulty
    A Minorm, min, -Beginner
    A Minor seventhm7, min7, mi7, -7Beginner
    A Fifth5Beginner
    A Suspended fourthsus4, susBeginner
    A Minor seventh add eleventhm7add11, m7add4Easy
    m#5, -#5, m+Intermediate
    madd4Intermediate
    4, quartalIntermediate
    7sus4, 7susExpert
    7#5sus4Expert
    11b9Expert
    m7#5Expert
    mb6b9Guru
    7sus4b9b13, 7b9b13sus4Guru
    b9sus, phryg, 7b9sus, 7b9sus4Guru
    A Minor sharp fifth
    A Minor add fourth
    A Fourth
    A Seventh suspension four
    A Dominant seventh sharp fifth suspended fourth
    A Dominant eleventh flat ninth
    A Minor seventh sharp fifth
    A Minor flat sixth flat ninth
    A Dominant seventh suspended fourth flat ninth flat thirteenth
    A suspended fourth flat ninth
    IntervalsemitonesNote
    Perfect unison0A
    Minor second1B♭
    Minor third3C
    Perfect fourth5D
    Perfect fifth7E
    Minor sixth8F
    Minor seventh10G
    NameAliasesDifficulty
    A Minor pentatonicvietnamese 2Easy
    A In-sen-Expert
    A Kumoijoshi-Guru
    A Malkos raga-Guru
    A Pelog-Guru
    -Guru
    A Vietnamese one