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    YoutubeMusic Theory Video SeriesA step-by-step guide to music theory fundamentals. These 60-second videos provide a clear, structured path to understanding how music works, optimized for a full-screen learning experience.YoutubeMusic Theory ShortsMaster music theory concepts in 60 seconds or less. Quick, vertical videos designed to give you essential theory knowledge in a fast-paced, mobile-friendly format.
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    1. Home
    2. Scale Library
    3. C
    4. Melodic minor

    C Melodic minor

    The melodic minor scale uses formula 1-2-♭3-4-5-6-7 and differs from natural minor by raising ♭6 and ♭7 to 6 and 7.


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    Which intervals and notes are in the C Melodic minor scale?

    Intervals from the tonic that build this scale step by step.

    Which chords can you play on the C Melodic minor scale?

    Diatonic chords on each degree of this scale.

    To which mode does C Melodic minor belong?

    Related modes that use the same notes with a different tonal center.

    Related scales for C Melodic minor

    Explore scales that share many of the same notes and compare how their tonal center changes the sound.

    Practice the melodic minor scale

    Open the app and start your daily workout!

    Learn music theory with sonid

    Available on Android and iOS

    Practice the melodic minor scale

    Open the app and start your daily workout!

    Learn music theory with sonid

    Available on Android and iOS

    DegreeTriadSeventhExtendedScale
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    VII

    The melodic minor scale is a minor system with a brighter upper structure than natural minor. In modern theory and jazz usage, it is most often treated as a single ascending form with raised 6 and 7. This gives it a flexible sound between minor color and major-leading-tone clarity.

    Construction and formula

    Melodic minor follows the interval formula 1-2-♭3-4-5-6-7, with step pattern W-H-W-W-W-W-H. In A melodic minor, the notes are A-B-C-D-E-F♯-G♯. Compared with natural minor (1-2-♭3-4-5-♭6-♭7), the defining change is that ♭6 and ♭7 are raised to 6 and 7.

    Classical practice often distinguishes ascending melodic minor from descending forms, while contemporary jazz and modal practice usually keeps this single form in both melodic and harmonic thinking.

    Musical usage

    Melodic minor is essential in jazz harmony because it supports several advanced modal colors and altered dominant sounds through its derived modes. It is also useful in composition when you want minor identity with stronger melodic pull and smoother voice-leading than pure natural minor.

    Melodically, the raised 6 and 7 reduce the gap-heavy feel of natural minor and make upward lines more directed. Harmonically, it opens access to rich tensions while preserving a clear tonal center.

    Examples

    • Jazz improvisation and chord-scale language over minor-major contexts.
    • Modern harmony with altered dominant extensions via melodic minor modes.
    • Film and contemporary writing that blends minor mood with forward melodic pull.
    • Technical studies comparing natural, harmonic, and melodic minor forms.

    In practice

    Practice melodic minor against natural minor on the same tonic, listening specifically to ♭6/♭7 versus 6/7. Then write short lines that highlight the contrast between minor third and major seventh to internalize its hybrid color.

    For improvisation, map melodic minor to chord types and modal functions rather than treating it as an isolated fingering pattern. For composition, use it when you want minor tonality with stronger directional motion and expanded harmonic options.

    C Flat three pentatonic
    C Minor major seven pentatonic
    C Minor hexatonic
    C Minor six pentatonic
    C Ritusen
    m
    m/ma7
    mM9
    Melodic minor
    m7
    Dorian ♭2
    maj7♯5
    Lydian Augmented
    M
    7
    Lydian Dominant
    M
    7♭13
    Mixolydian flat sixth
    m7♭5
    Locrian ♯2
    dim
    m7♭5
    7♯9♭13
    Altered
    IntervalsemitonesNote
    0C
    2D
    3E♭
    5F
    7G
    9A
    11B
    Perfect unison
    Major second
    Minor third
    Perfect fourth
    Perfect fifth
    Major sixth
    Major seventh
    C 5
    C M7sus4
    C M9sus4
    C m
    C m/ma7
    C m6
    C m69
    C mM9
    C madd4
    C madd9
    C sus2
    C sus24
    C sus4