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    1. Home
    2. Scale Library
    3. D flat
    4. Bebop locrian

    D flat Bebop locrian

    Eight-note scale derived from Locrian, used to place chord tones on strong beats in eighth-note lines. Adds a chromatic passing tone (natural 5) between ♭5 and ♭6.


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    Which intervals and notes are in the D flat Bebop locrian scale?

    Intervals from the tonic that build this scale step by step.

    Which chords can you play on the D flat Bebop locrian scale?

    Diatonic chords on each degree of this scale.

    Related scales for D flat Bebop locrian

    Explore scales that share many of the same notes and compare how their tonal center changes the sound.

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    Practice the bebop locrian scale

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    The Bebop Locrian scale (also known as the Half-Diminished Bebop scale) is an eight-note scale designed to navigate half-diminished chords in jazz. By adding a chromatic passing tone to the standard Locrian mode, it ensures that the essential chord tones of a m7♭5 chord align perfectly with the downbeats of a swing rhythm.

    Construction and formula

    The Bebop Locrian scale is built by adding a natural 5th as a chromatic passing tone to the standard Locrian mode. This fills the gap between the ♭5 and the ♭6.

    In C, the notes are: C–D♭–E♭–F–G♭–G–A♭–B♭.

    Its interval formula is: 1–♭2–♭3–4–♭5–5–♭6–♭7.

    This eight-note configuration allows the primary chord tones (1, ♭3, ♭5, ♭7) to fall consistently on strong beats when playing continuous eighth-note lines.

    Musical usage

    This scale is specifically used over minor 7♭5 chords, which typically function as the ii chord in a minor ii–V–i progression. Its primary role is to provide melodic "logic" to the Locrian sound, which can often feel unstable or directionless in a linear context.

    The natural 5 acts as a rhythmic "spacer." It is not intended to function as a harmonic resting point, but rather as a connector that preserves the forward momentum of a jazz line while maintaining the dark, diminished quality of the mode.

    Examples

    • Jazz improvisation over minor ii–V–i progressions (played over the m7♭5 chord).
    • Eighth-note runs in standards like "Autumn Leaves," "Stella by Starlight," or "Blue Bossa."
    • Linear patterns that require the ♭7 and ♭5 to land on downbeats for harmonic clarity.
    • Practice drills transitioning from the ii (Bebop Locrian) to the V (Bebop Dominant).

    In practice

    Practice a standard Locrian scale in eighth notes and notice how the chord tones eventually shift to the "and" of the beat. Then, insert the natural 5 between the ♭5 and ♭6 to see how the root, ♭3, and ♭5 instantly snap back onto the downbeats.

    In a performance context, use the natural 5 strictly as a passing tone. Do not pause on it, as the ♭5 must remain the defining harmonic color of the chord.

    D♭ In-sen
    D♭ Iwato
    D♭ Kumoijoshi
    D♭ Locrian
    D♭ Locrian pentatonic
    D♭ Malkos raga
    D♭ Minor blues
    D♭ Minor pentatonic
    D♭ Pelog
    D♭ Phrygian
    D♭ Vietnamese one
    IntervalsemitonesNote
    0D♭
    1E𝄫
    3F♭
    5G♭
    6A𝄫
    7A♭
    8B𝄫
    10C♭
    Perfect unison
    Minor second
    Minor third
    Perfect fourth
    Diminished fifth
    Perfect fifth
    Minor sixth
    Minor seventh
    D♭ 4
    D♭ 5
    D♭ 11♭9
    D♭ 7♯5sus4
    D♭ 7sus4
    D♭ 7sus4♭9♭13
    D♭ ♭9sus
    D♭ dim
    D♭ m
    D♭ m♯5
    D♭ m7
    D♭ m7♯5
    D♭ m7add11
    D♭ m7♭5
    D♭ madd4
    D♭ m♭6♭9
    D♭ sus4