Eight-note scale derived from Locrian, used to place chord tones on strong beats in eighth-note lines. Adds a chromatic passing tone (natural 5) between ♭5 and ♭6.
Intervals from the tonic that build this scale step by step.
Diatonic chords on each degree of this scale.
Explore scales that share many of the same notes and compare how their tonal center changes the sound.
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The Bebop Locrian scale (also known as the Half-Diminished Bebop scale) is an eight-note scale designed to navigate half-diminished chords in jazz. By adding a chromatic passing tone to the standard Locrian mode, it ensures that the essential chord tones of a m7♭5 chord align perfectly with the downbeats of a swing rhythm.
The Bebop Locrian scale is built by adding a natural 5th as a chromatic passing tone to the standard Locrian mode. This fills the gap between the ♭5 and the ♭6.
In C, the notes are: C–D♭–E♭–F–G♭–G–A♭–B♭.
Its interval formula is: 1–♭2–♭3–4–♭5–5–♭6–♭7.
This eight-note configuration allows the primary chord tones (1, ♭3, ♭5, ♭7) to fall consistently on strong beats when playing continuous eighth-note lines.
This scale is specifically used over minor 7♭5 chords, which typically function as the ii chord in a minor ii–V–i progression. Its primary role is to provide melodic "logic" to the Locrian sound, which can often feel unstable or directionless in a linear context.
The natural 5 acts as a rhythmic "spacer." It is not intended to function as a harmonic resting point, but rather as a connector that preserves the forward momentum of a jazz line while maintaining the dark, diminished quality of the mode.
Practice a standard Locrian scale in eighth notes and notice how the chord tones eventually shift to the "and" of the beat. Then, insert the natural 5 between the ♭5 and ♭6 to see how the root, ♭3, and ♭5 instantly snap back onto the downbeats.
In a performance context, use the natural 5 strictly as a passing tone. Do not pause on it, as the ♭5 must remain the defining harmonic color of the chord.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | D♯ | |||
| 1 | E | |||
| 3 | F♯ | |||
| 5 | G♯ | |||
| 6 | A | |||
| 7 | A♯ | |||
| 8 | B | |||
| 10 | C♯ |