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    1. Home
    2. Scale Library
    3. F
    4. Phrygian dominant

    F Phrygian dominant

    Dominant mode with ♭2 and ♭6, the 5th mode of the harmonic minor system.

    spanishphrygian major

    Guitar diagrams

    Which intervals and notes are in the F Phrygian dominant scale?

    Intervals from the tonic that build this scale step by step.

    Which chords can you play on the F Phrygian dominant scale?

    Diatonic chords on each degree of this scale.

    To which mode does F Phrygian dominant belong?

    Related modes that use the same notes with a different tonal center.

    Related scales for F Phrygian dominant

    Explore scales that share many of the same notes and compare how their tonal center changes the sound.

    Practice the phrygian dominant scale

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    Piano diagrams

    Sheet music

    Practice the phrygian dominant scale

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    DegreeTriadSeventhExtendedScale
    I
    F
    m
    F
    m/ma7
    F
    mM9
    F Harmonic minor
    II
    F
    dim
    F
    m7♭5
    F Locrian sixth
    III
    F
    aug
    F
    maj7♯5
    F Major augmented
    IV
    F
    m
    F
    m7
    F
    m11
    F Dorian sharp four
    V
    F
    M
    VI
    VII

    The phrygian dominant scale combines dominant function with the dark color of a Phrygian ♭2. The result is a powerful, high-tension sound with clear directional pull. In the harmonic minor modal system, it is the 5th mode.

    Construction and formula

    The formula is 1-♭2-3-4-5-♭6-♭7, with step pattern H-W+H-H-W-H-W-W. In E phrygian dominant, the notes are E-F-G♯-A-B-C-D. Compared with Mixolydian (1-2-3-4-5-6-♭7), both 2 and 6 are lowered to ♭2 and ♭6.

    The key signature color comes from the combination of major 3 and minor 2. That interval contrast gives the mode both dominant clarity and an unmistakably exotic edge.

    Musical usage

    Phrygian dominant is widely used over V7 chords in minor keys, especially in jazz, fusion, and Mediterranean or flamenco-influenced language. It is also commonly called Spanish dominant in many practical contexts.

    Melodically, emphasizing 3, ♭2, and ♭6 defines the mode quickly. Harmonically, it is strongest when those tensions resolve intentionally into target tones on the next chord.

    Examples

    • V7 lines in minor cadences (for example E7 resolving to Am) with ♭2 focus.
    • Fusion and flamenco-flavored phrases with strong dominant pull.
    • Comparative practice between Mixolydian and Phrygian dominant.
    • Cinematic writing with bold tension and clear release.

    In practice

    Start with dominant arpeggio anchors (1-3-5-♭7), then add ♭2 and ♭6 as controlled color tensions. This keeps the harmonic function clear while making the modal sound explicit.

    For improvisation, treat 3 and ♭7 as structural guide tones and place ♭2 intentionally for color impact. For composition, use this mode when you want strong dominant energy with a distinctive dark-exotic profile.

    F
    7
    F
    7♭9♭13
    F Phrygian dominant
    F
    M
    F
    maj7
    F
    maj9♯11
    F Lydian sharp ninth
    F
    dim
    F
    dim7
    F
    alt7
    F Ultralocrian
    NameAliasesDifficulty
    F MajorM, ^, , majBeginner
    F Augmentedaug, +, +5, ^#5Beginner
    F Fifth5Beginner
    F Dominant seventh7, domBeginner
    F Suspended fourthsus4, susBeginner
    alt7Easy
    7no5Intermediate
    7b6Intermediate
    7b9Intermediate
    7b13Intermediate
    7sus4, 7susExpert
    7#5b9, 7b9#5Expert
    7#5sus4Expert
    11b9Expert
    7#5, +7, 7+, 7aug, aug7Guru
    7b9b13Guru
    Maddb9Guru
    7sus4b9b13, 7b9b13sus4Guru
    b9sus, phryg, 7b9sus, 7b9sus4Guru
    NameAliasesDifficulty
    -Expert
    -Guru
    indianGuru
    IntervalsemitonesNote
    0F
    1G♭
    4A
    5B♭
    7C
    8D♭
    10E♭
    F Altered seventh
    F Dominant seventh no fifth
    F Dominant seventh flat sixth
    F Dominant seventh flat ninth
    F Dominant seventh flat thirteenth
    F Seventh suspension four
    F Dominant seventh sharp fifth flat ninth
    F Dominant seventh sharp fifth suspended fourth
    F Dominant eleventh flat ninth
    F Dominant seventh sharp fifth
    F Dominant seventh flat ninth flat thirteenth
    F Major add flat ninth
    F Dominant seventh suspended fourth flat ninth flat thirteenth
    F suspended fourth flat ninth
    F In-sen
    F Kumoijoshi
    F Mixolydian pentatonic
    Perfect unison
    Minor second
    Major third
    Perfect fourth
    Perfect fifth
    Minor sixth
    Minor seventh