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    YoutubeMusic Theory Video SeriesA step-by-step guide to music theory fundamentals. These 60-second videos provide a clear, structured path to understanding how music works, optimized for a full-screen learning experience.YoutubeMusic Theory ShortsMaster music theory concepts in 60 seconds or less. Quick, vertical videos designed to give you essential theory knowledge in a fast-paced, mobile-friendly format.
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    1. Home
    2. Chord Library
    3. D flat
    4. Dominant ninth

    D flat Dominant ninth

    Dominant seventh with added ninth; richer dominant tension that still resolves strongly to tonic.

    major9

    Guitar diagrams

    Piano voicings

    Which intervals and notes are in the D flat Dominant ninth chord?

    Intervals from the root that spell this chord and its chord tones.

    To which mode does D flat Dominant ninth belong?

    Parent scales and degrees where this chord appears as a diatonic sonority.

    Which scales can you play on the D flat Dominant ninth chord?

    Scales that contain this chord’s notes and usually fit over it.

    Practice the dominant ninth chord

    Open the app and start your daily workout!

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    Sheet music

    Practice the dominant ninth chord

    Open the app and start your daily workout!

    Learn music theory with sonid

    Available on Android and iOS

    The dominant ninth chord extends a dominant seventh by adding the ninth, giving you classic dominant pull with extra color and breadth. In charts, this appears as C9: tense, expressive, and still clearly functional.

    How it's built

    Use 1-3-5-♭7-9. In C9: C-E-G-B♭-D. In practical voicings, the fifth is often omitted so the guide tones (3 and ♭7) plus color (9) stay clear.

    Usage

    In jazz, soul, funk, blues, and modern pop, the 9 is a go-to dominant color when you want richness without losing direction toward resolution.

    Examples

    • Jazz turnarounds - V9 resolving to I or i
    • Funk and soul comping - colorful, groove-forward dominant stabs
    • Pop arranging - refined dominant lift in pre-chorus and bridges

    Play

    Lead the 3 and ♭7 smoothly, and place the 9 where it sings above the voicing. Keep the midrange uncluttered so the dominant function remains obvious.

    NameAliasesDifficulty
    D flat MixolydiandominantBeginner
    D flat Chromatic-Easy
    D flat Lydian Dominantlydian b7, overtoneIntermediate
    D flat Lydian minor-Intermediate
    D flat Bebop-Expert
    -Expert
    -Guru
    -Guru
    melodic minor fifth mode, hinduGuru
    D flat Bebop minor
    D flat Composite blues
    D flat Messiaen's mode 3
    D flat Mixolydian flat sixth
    NameAliasesDifficulty
    D flat MajorM, ^, , majBeginner
    D flat Fifth5Beginner
    D flat Dominant seventh7, domBeginner
    D flat Suspended secondsus2Beginner
    D flat Dominant seventh no fifth7no5Intermediate
    9no5Intermediate
    Madd9, 2, add9, add2Intermediate
    IntervalsemitonesNote
    Perfect unison0D♭
    Major third4F
    Perfect fifth7A♭
    Minor seventh10C♭
    Major ninth14E♭
    D flat Ninth no fifth
    D flat Major add ninth

    DegreeTriadSeventhExtendedScale
    I
    II
    III
    IV
    V
    D♭
    13
    D♭
    9
    D♭
    7no5
    D flat Mixolydian
    VI
    D♭
    m
    D♭
    m7
    D♭
    m9
    D♭
    m11
    D♭
    madd9
    D flat Minor
    VII
    D♭
    m7♭5
    D flat Locrian
    D♭
    M
    D♭
    maj7
    D♭
    maj13
    D♭
    maj9
    D flat Major
    D♭
    m
    D♭
    m7
    D♭
    m9
    D♭
    m11
    D♭
    m13
    D♭
    m69
    D flat Dorian
    D♭
    m
    D♭
    m7
    D♭
    m
    D flat Phrygian
    D♭
    M
    D♭
    maj7
    D♭
    M13♯11
    D♭
    maj9♯11
    D flat Lydian
    D♭
    M
    D♭
    7