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    1. Home
    2. Chord Library
    3. F sharp
    4. Major seventh

    F sharp Major seventh

    Major seventh (1–3–5–7); stable major color with leading-tone pull to the octave.

    majormaj7Δma7


    Examples of Major seventh used in songs

    Real tracks where you can hear this chord and practice it with movable-do syllables.

    Which intervals and notes are in the F sharp Major seventh chord?

    Intervals from the root that spell this chord and its chord tones.

    To which mode does F sharp Major seventh belong?

    Parent scales and degrees where this chord appears as a diatonic sonority.

    Which scales can you play on the F sharp Major seventh chord?

    Scales that contain this chord’s notes and usually fit over it.

    Practice the major seventh chord

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    M7
    Maj7
    ^7

    Similar chords

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    Practice the major seventh chord

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    Don't know why

    Norah Jones

    The intro of this song starts with a brilliantly sounding major seventh in the melodic line that immediately moves downwards.

    The major seventh chord adds a major seventh above the root to a standard major triad. It is one of the foundational pillars of jazz, bossa nova, R&B, and dream pop. Unlike the dominant seventh chord, which demands resolution due to its unstable tritone, the major seventh chord is beautifully complex yet stable. It replaces the stark, clean resolution of a basic major triad with a warm, open-ended, and slightly melancholic shimmer. It is often described as sounding nostalgic, romantic, or ethereal.

    Construction & Theory

    Interval Formula: 1 - 3 - 5 - 7
    • In C major (Cmaj7): Spell the notes C - E - G - B.
    • Interval breakdown: A root to major third (C to E), a perfect fifth (C to G), and a major seventh (C to B).
    • The Hidden Friction: If you isolate the upper part of the chord, you will find an E minor triad (E - G - B) sitting over a C bass. Furthermore, the interval between the root (C) and the major seventh (B) is a major seventh (or a minor second inversion), which introduces a sharp friction that gives the chord its characteristic bittersweet bite.

    Major Seventh vs. Dominant Seventh

    It is vital not to confuse the major seventh chord (Cmaj7: C - E - G - B) with the dominant seventh chord (C7: C - E - G - B♭). The minor seventh interval in a dominant chord creates a restless tritone with the third, forcing the music to move forward. The major seventh interval in a maj7 chord, however, acts as a harmonic luxury—it adds a lush layer of color without stripping the chord of its status as a peaceful point of arrival.

    Usage & Harmonic Function

    The major seventh chord naturally occurs on the I and IV degrees of a major scale. Its structural roles include:

    • The Lush Tonic Center (Imaj7): In jazz and neo-soul, the raw major triad is rarely used as a home base. The Imaj7 chord serves as the ultimate resolution target, giving the ending of a progression a dreamy, floating sensation rather than a hard stop.
    • The Subdominant Lift (IVmaj7): Built on the fourth scale degree, the IVmaj7 chord introduces a strong sense of emotional lifting or yearning. It provides an immediate contrast to the tonic while remaining intensely beautiful and stable.
    • Modal Soundscapes: The maj7 chord is the sonic anchor for the Lydian and Ionian modes. Emphasizing a IVmaj7 chord is a classic way to induce a bright, space-age, or cinematic Lydian atmosphere.

    Genre Examples

    • Jazz and West Coast Cool: Miles Davis and Bill Evans transformed the jazz landscape by stretching out on static maj7 chords, allowing soloists to explore lush modal colors rather than rushing through dense bebop changes.
    • Bossa Nova: In João Gilberto or Antônio Carlos Jobim classics like "The Girl from Ipanema", the acoustic guitar gently compes rhythmic, syncopated maj7 voicings, establishing a cool, sun-drenched melancholy.
    • R&B, Soul, and Lo-Fi: Modern neo-soul and lo-fi hip-hop rely entirely on lush, close-voiced maj7 and min7 chords (often decorated with 9ths) sampled or played on Rhodes electric pianos to create a relaxed, late-night vibe.

    Voice Leading & Playability

    When arranging or voicing major seventh chords on guitar or piano, keep these tips in mind:

    • Watch the Root-Seventh Clash: If the root of the chord is played directly above the major seventh in a tight register, it creates a clashing minor second interval that can sound harsh. It is often smoother to place the seventh high up in the voicing or drop the root to the bass.
    • Rootless Voicings: In a jazz context with a bass player, pianists and guitarists frequently drop the root entirely. Playing an Em7 triad over a C played by the bassist yields a beautifully clean, extended Cmaj9 sound.
    • Voice Leading to Minor Seventh Chords: Moving from a maj7 to a min7 chord a fourth upward (e.g., Cmaj7 to Fmin7 or Cmaj7 to Am7) allows for incredibly smooth, step-wise voice leading where individual notes only need to shift by a half or whole step.

    Ear-Training Cues

    To train your ears to spot a major seventh chord, listen for a major triad that has a built-in sense of longing or sophistication. Think of it as an "elegant lounge" chord, a "sunset on a beach" sound, or a "wistful daydream." It feels deeply settled, yet it carries a distinct, beautiful ache that prevents it from sounding boring.

    F♯ 5
    F♯ M
    F♯ Major
    F♯ Augmented
    F♯ Augmented heptatonic
    F♯ Bebop
    F♯ Bebop major
    F♯ Chromatic
    F♯ Double harmonic lydian
    F♯ Double harmonic major
    F♯ Harmonic major
    F♯ Ichikosucho
    F♯ Ionian pentatonic
    F♯ Kafi raga
    F♯ Lydian
    F♯ Lydian sharp ninth
    F♯ Lydian pentatonic
    F♯ Messiaen's mode 3
    F♯ Purvi raga
    IntervalsemitonesNote
    0F♯
    4A♯
    7C♯
    11E♯
    Perfect unison
    Major third
    Perfect fifth
    Major seventh

    DegreeTriadSeventhExtendedScale
    I
    II
    III
    IV
    V
    VI
    VII

    These modes come from a defined series of intervals! Checkout our blogpost about the major modes!

    M
    maj7
    maj13
    maj9
    Major
    m
    m7
    m9
    m11
    m13
    m69
    Dorian
    m
    m7
    m
    Phrygian
    M
    maj7
    M13♯11
    maj9♯11
    Lydian
    M
    7
    13
    9
    7no5
    Mixolydian
    m
    m7
    m9
    m11
    madd9
    Minor
    m7♭5
    Locrian