Major seventh (1–3–5–7); stable major color with leading-tone pull to the octave.
Real tracks where you can hear this chord and practice it with movable-do syllables.
Intervals from the root that spell this chord and its chord tones.
Parent scales and degrees where this chord appears as a diatonic sonority.
Scales that contain this chord’s notes and usually fit over it.
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The intro of this song starts with a brilliantly sounding major seventh in the melodic line that immediately moves downwards.
The major seventh chord adds a major seventh above the root to a standard major triad. It is one of the foundational pillars of jazz, bossa nova, R&B, and dream pop. Unlike the dominant seventh chord, which demands resolution due to its unstable tritone, the major seventh chord is beautifully complex yet stable. It replaces the stark, clean resolution of a basic major triad with a warm, open-ended, and slightly melancholic shimmer. It is often described as sounding nostalgic, romantic, or ethereal.
It is vital not to confuse the major seventh chord (Cmaj7: C - E - G - B) with the dominant seventh chord (C7: C - E - G - B♭). The minor seventh interval in a dominant chord creates a restless tritone with the third, forcing the music to move forward. The major seventh interval in a maj7 chord, however, acts as a harmonic luxury—it adds a lush layer of color without stripping the chord of its status as a peaceful point of arrival.
The major seventh chord naturally occurs on the I and IV degrees of a major scale. Its structural roles include:
When arranging or voicing major seventh chords on guitar or piano, keep these tips in mind:
To train your ears to spot a major seventh chord, listen for a major triad that has a built-in sense of longing or sophistication. Think of it as an "elegant lounge" chord, a "sunset on a beach" sound, or a "wistful daydream." It feels deeply settled, yet it carries a distinct, beautiful ache that prevents it from sounding boring.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | F♯ | |||
| 4 | A♯ | |||
| 7 | C♯ | |||
| 11 | E♯ |
| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |
These modes come from a defined series of intervals! Checkout our blogpost about the major modes!