Minor-major ninth (1–♭3–5–7–9); melodic-minor tonic extension with bright ninth.
Intervals from the root that spell this chord and its chord tones.
Parent scales and degrees where this chord appears as a diatonic sonority.
Scales that contain this chord’s notes and usually fit over it.
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The minor-major ninth chord extends mM7 with a major ninth (1-♭3-5-7-9). It combines the bittersweet major seventh over a minor triad with the wide color of the ninth—classic melodic minor territory and a favorite color in modern jazz and cinematic harmony for haunted beauty with lift.
Start from 1-♭3-5-7 and add 9. In CmM9, include D as the ninth.
i∆9 colors, dramatic tonic arrivals, and reharmonizations where a minor chord needs both brightness and complexity.
Separate the major seventh and ninth registrally when possible to avoid muddiness.
Minor third with major seventh and a bright ninth above the root.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | B♭ | |||
| 3 | D♭ | |||
| 7 | F | |||
| 11 | A | |||
| 14 | C |
| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |