Dominant seventh with added ninth; richer dominant tension that still resolves strongly to tonic.
Intervals from the root that spell this chord and its chord tones.
Parent scales and degrees where this chord appears as a diatonic sonority.
Scales that contain this chord’s notes and usually fit over it.
Open the app and start your daily workout!
Available on Android and iOS
Open the app and start your daily workout!
Available on Android and iOS
The dominant ninth chord extends a dominant seventh by adding the ninth, giving you classic dominant pull with extra color and breadth. In charts, this appears as C9: tense, expressive, and still clearly functional.
Use 1-3-5-♭7-9. In C9: C-E-G-B♭-D. In practical voicings, the fifth is often omitted so the guide tones (3 and ♭7) plus color (9) stay clear.
In jazz, soul, funk, blues, and modern pop, the 9 is a go-to dominant color when you want richness without losing direction toward resolution.
Lead the 3 and ♭7 smoothly, and place the 9 where it sings above the voicing. Keep the midrange uncluttered so the dominant function remains obvious.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | F | |||
| 4 | A | |||
| 7 | C | |||
| 10 | E♭ | |||
| 14 | G |
| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |
These modes come from a defined series of intervals! Checkout our blogpost about the major modes!