Minor triad with added ninth (1–♭3–5–9); no seventh in the symbol, wide minor color.
Intervals from the root that spell this chord and its chord tones.
Parent scales and degrees where this chord appears as a diatonic sonority.
Scales that contain this chord’s notes and usually fit over it.
Open the app and start your daily workout!
Available on Android and iOS
Open the app and start your daily workout!
Available on Android and iOS
The minor add9 chord adds a major ninth to a minor triad without adding a seventh in the symbol (1-♭3-5-9). Compared with m9, it feels more open and less “jazz-standard ii” because the missing seventh avoids the strong pull of ♭7. It is popular in alternative rock, R&B, and cinematic pop for shimmering minor textures.
Formula: 1-♭3-5-9. In Cm(add9), include D as the ninth.
Minor loops, guitar arpeggios, and pads where you want width without dominant-function tension.
Separate root and ninth when possible; omit the fifth in dense guitar voicings if needed.
Minor triad with a bright ninth and no minor-seventh character.
| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |
These modes come from a defined series of intervals! Checkout our blogpost about the major modes!
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | F | |||
| 3 | A♭ | |||
| 7 | C | |||
| 14 | G |