Minor scale with raised 7, the 1st mode of the harmonic minor system.
Intervals from the tonic that build this scale step by step.
Diatonic chords on each degree of this scale.
Related modes that use the same notes with a different tonal center.
Explore scales that share many of the same notes and compare how their tonal center changes the sound.
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| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |
The harmonic minor scale is a minor system with a dramatic leading-tone pull created by the raised seventh degree. It keeps the dark minor color of ♭3 and ♭6 while adding stronger tonal direction than natural minor. In the harmonic minor family, this scale is the 1st degree (1st mode), the parent source from which the other harmonic minor modes are derived.
Harmonic minor follows the interval formula 1-2-♭3-4-5-♭6-7, with step pattern W-H-W-W-H-W+H-H. In A harmonic minor, the notes are A-B-C-D-E-F-G♯. Compared with natural minor (1-2-♭3-4-5-♭6-♭7), the defining change is that ♭7 is raised to 7.
That raised seventh creates a wider melodic gap between ♭6 and 7, which gives harmonic minor its characteristic exotic tension. At the same time, it restores a strong leading tone into the tonic, making cadential motion more focused.
Harmonic minor is fundamental in tonal minor harmony, especially when a strong V-i pull is needed. It supports chords like V and vii° in minor keys while preserving a clear minor tonic identity.
In improvisation and composition, harmonic minor is used when natural minor feels too open and melodic minor feels too smooth. Its color is especially effective in dramatic classical writing, jazz-influenced minor progressions, and cinematic harmonic movement.
Practice harmonic minor by isolating the motion ♭6-7-1 in multiple rhythmic shapes so the leading-tone pull becomes audible and intentional. Then alternate between natural minor and harmonic minor on the same root to hear exactly what changing ♭7 to 7 does to harmonic gravity.
For improvisation, anchor phrases on stable tones (1, ♭3, 5) and treat 7 as a directional tone that resolves with purpose. For composition, use harmonic minor when you want minor mood plus stronger cadential definition and heightened tension-release behavior.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | F♯ | |||
| 2 | G♯ | |||
| 3 | A | |||
| 5 | B | |||
| 7 | C♯ | |||
| 8 | D | |||
| 11 | E♯ |