Bright major mode with ♯4 and ♯5, the 3rd mode of melodic minor.
Intervals from the tonic that build this scale step by step.
Diatonic chords on each degree of this scale.
Related modes that use the same notes with a different tonal center.
Explore scales that share many of the same notes and compare how their tonal center changes the sound.
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Available on Android and iOS
| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |
Lydian Augmented is a bright, floating major-type mode with extra tension from its raised fifth. It keeps the open color of Lydian through the ♯4 while adding a wider, more unstable upper shape via ♯5. That combination gives it a modern, cinematic sound often used for expansive harmony.
Lydian Augmented follows 1-2-3-♯4-♯5-6-7, with step pattern W-W-W-W-H-W-H. In C Lydian Augmented, the notes are C-D-E-F♯-G♯-A-B. In modal terms, it is the 3rd mode of melodic minor (for example from A melodic minor).
Compared with Lydian (1-2-3-♯4-5-6-7), only one degree changes: 5 becomes ♯5. That single alteration increases lift and tension without losing the clear Lydian identity.
Lydian Augmented works well over major colors that need more motion than plain Ionian or Lydian. It appears in jazz, fusion, and film scoring where composers want brightness with controlled instability.
Melodically, the interval movement between ♯4 and ♯5 highlights its unique color quickly. Harmonically, sustained major sonorities and upper-structure voicings make the mode especially clear.
Practice Lydian and Lydian Augmented on the same root, focusing first on 5 versus ♯5 while keeping ♯4 constant. Then build short motifs that resolve to stable chord tones but repeatedly emphasize ♯5 for signature color.
For improvisation, connect it to melodic minor modal families rather than isolated fingering shapes. For writing, use it when you want major brightness with extra expansion and edge.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | G | |||
| 2 | A | |||
| 4 | B | |||
| 6 | C♯ | |||
| 8 | D♯ | |||
| 9 | E | |||
| 11 | F♯ |